SPORTSZONE

ndifferent batting from India and an abject response by the Australian top order left the first Test tantalisingly poised after a helter skelter third day on which 15 wickets fell at the MCG.
The visitors and the hosts traded collapses on a track still offering a modicum of help to the bowlers, India slipping from 2 for 214 to 282 all out before Australia slumped to 4 for 27 thanks to Umesh Yadav and Ishant Sharma. It was a hole plugged only partially by the staunch efforts of Ricky Ponting and Michael Hussey, who was undefeated on 79 when the close arrived at 8 for 179, the lead standing at 230.
Rahul Dravid, bowled off second ball of the morning by the recalled and renewed Ben Hilfenhaus, completed his unhappy day by shelling the sort of slips catch he would expect to claim when Hussey advanced to R Ashwin on 69. Though Peter Siddle and Nathan Lyon departed thereafter, it may yet prove a crucial drop.
Hussey and Ponting were both under enormous pressure for runs coming into this match, given their poor recent returns, but younger team-mates were grateful for their calming presence in a partnership of 115 after the tumult that marked the start of the second innings. Hussey's innings was particularly strong, counter-punching from the start to build some sort of lead.
India had earlier surrendered 8 for 68 to be halted 51 runs short of Australia's 333. Hilfenhaus followed up Dravid's defeat with the wickets of Virat Kohli, MS Dhoni and the dogged nightwatchman Ishant Sharma, while Siddle neutralised the threat of VVS Laxman and rounded things off by disposing of Ashwin for a useful 31.
The continuing flood of wickets was attributable to smart, full bowling but also poor batting, with David Warner, Ed Cowan and Shaun Marsh all guilty of vast misjudgements. Michael Clarke was less culpable, out to a corking delivery from Ishant. Ponting's dismissal was followed by another flighty innings from keeper Brad Haddin, who must be under severe scrutiny for his spot despite claiming five catches.
Starting out with a 51-run advantage, Warner and Cowan were unable to get themselves going in the manner of the first innings. Warner looked uncomfortable, tugging at the ball rather than timing it, and it was no great surprise when he dragged Yadav onto the stumps with an angled bat. Cowan had left the ball with great skill on Boxing Day, but two balls after Warner he would die by the sheathed sword, padding up to a Yadav delivery that straightened and as such having scant cause to complain about the lbw verdict.
Marsh evaded a pair, scoring his first Test runs in Australia, only to perish in a similarly ugly manner to Warner when he snicked a full, wide delivery from Yadav onto the stumps. After an outside edge in the first innings, an inside edge in the second, it was clear Marsh lacked Test match touch after injury and one Twenty20 knock.
At three down India had the scent, and it became a pungent whiff with the fall of Clarke to a beautifully-pitched delivery from Ishant that seamed back and removed the leg bail via the inside edge. Clarke's exit was all too swift, and echoes of Cape Town hung tangibly in the air.
Hussey and Ponting responded to their predicament with firm intent and attractive strokes, pulling, cutting and driving to extend the lead and take Australia past the accursed 47. Ponting was fortunate to survive Zaheer's lbw appeal from around the wicket when he was 15, replays indicating the ball had struck him in line and would have plucked out middle. Hussey's first boundary was an edge through the slips, but thereafter he was decisive and impressive, attempting to make amends for an awfully slim run of scores since a bountiful tour of Sri Lanka in September.
Tea came and went, and the partnership assumed significant proportions against bowling that remained diligent but with the backdrop of slackening field settings. Dhoni was intent on saving runs, and Hussey and Ponting were able to knock the ball into gaps consistently with the odd boundary. Both passed half-centuries, raising generous affirmation from another healthy crowd, this time 40,556.
Ponting's period of greatest peril is starting to resemble Shane Watson's - when fit, fall somewhere between 50 and 100. Zaheer returned for a spell with the old ball and slanted across to draw a sliced drive and a catch in the gully. As he walked off, Ponting offered an unfussy wave of the bat to the MCG - who knows if he will be back to do so again.
Haddin sold his wicket dearly enough in the first innings, and did well with the gloves after an early dropped catch. But now he played another innings far too aggressive in the prevailing circumstances, essaying a handful of shots that weren't quite there before waving his bat brusquely at Zaheer and edging to second slip.
Hussey's innings might have ended soon after when he advanced and was beaten by a nicely dipping off break, but Dravid could not hold on to the edge. Siddle was unable to reprise his first innings, hanging his bat out at Yadav and being held well by Dhoni, diving in front of first slip. Lyon was granted a promotion in the batting order, perhaps to retain a right and left-handed union, but he had not scored when Ashwin's carrom ball pinned him in front of leg stump.
Dravid and Ishant had walked to the middle a little more than six hours before, their sights set on establishing a first-innings advantage. Hilfenhaus had been ineffective late on the second day, yet started things off on the third and enjoyed instant success. Dravid played the day's first delivery to mid-on, but the second slid subtly away from him to elude his defensive bat and flick off stump.
Laxman took guard on a ground where he has never enjoyed success, in marked contrast to the rest of Australia. This time he lingered 21 balls for two, before finally being undone by a Siddle delivery that shaped nicely away to catch an edge that Haddin pouched. Given the torment he has inflicted on them in the past, the Australians were understandably exultant.
Clarke only allowed three overs of Lyon's spin before recalling Hilfenhaus, and second ball the Tasmanian found the ideal line to draw Kohli's outside edge and grant Haddin another catch. Six wickets were down before the arrival of the second new ball.
Dhoni, so difficult to contain on Indian pitches, has shown vulnerability in foreign climes before, and there was a whiff of the England tour about his brief stay. Now using a fresh projectile, Hilfenhaus gave India's captain a trio of straight deliveries before floating one wider, with bounce.
An airy drive and a catch in the gully ensued, sinking the visitors deeper into the morning mire. Let down by his batsmen, Ishant finally lost patience, and swished at another outswinger. Zaheer Khan was not inclined to hang around it was not long before he was bowled by Pattinson, having an unsightly heave at a full-length ball. Ashwin and Yadav offered a cheeky last-wicket stand of 23 before Siddle nipped out the off spinner.

Bangladesh Premier League (BPL)



 


Bangladesh Premier League (BPL).

It marked the first steps in the BCB's bid to join the worldwide Twenty20 market.
his shifting focus in Mirpur was another reminder that Bangladesh will soon be returning to shorter cricket after playing only five Test matches following a gap that had lasted 14 months.
As captain Mushfiqur Rahim, Shakib Al Hasan and coach Stuart Law pointed out during the Test in Dhaka, this was not going to do Bangladesh any good. The schedule that lies ahead is heavily skewed against the team improving their Test credentials. Over the next three months, Bangladesh will be gripped by the country's most coveted 50-over competition, the Dhaka Premier League (DPL), and the newly formed BPL.
















Paz Vega (Hot Photo Gallery )

Name : Paz Vega
Birth Name : Paz Campos Trigo
Date of Birth : January 2, 1976
Place of Birth : Sevilla, Spain
Height : 5' 8
Nationality : Spanish
Profession : Actor

Paz Vega was born in Seville, AndalucĂ­a, Spain, and takes her stage name from her grandmother. She made her big break in 7 Vidas, also in 1999. The series was billed as a Spanish Friends and went on to become one of the country’s best-loved domestic sitcoms. Her career is shorter than that of Penelope Cruz, but she can still follow in her footsteps!
At 16, Paz left school and patiently waited for the prestigious Centro Andaluz de Teatro acting school to accept her. After two years at the acting school and another two studying journalism, Paz moved to Madrid, where she sought fame. She changed her name to Paz Vega (her grandmother's last name) and worked in bars while auditioning for every acting job she could.
Paz's first big jobs came on TV, where she appeared in three episodes of the Spanish series Menudo es mi padre, and in two other series, Mas que amigos and Companeros. In 1999, Paz got her first major movie role in Zapping, in which she played a hot sex-loving vixen who snagged another woman's husband. That same year, she had a minor part in Sobrevivire (I Will Survive), which got people noticing her.
Paz then returned to television with the career-making role of Laura in the series, 7 vidas. It was this role that endeared her to all of Spain. Filmmaker Mateo Gil liked Paz so much that he gave her a major part in his movie Nadie conoce a nadie (Nobody Knows Anybody, 1999). As she juggled TV and movies, she quickly learned the inner workings of the film industry.
Movie director Julio Medem saw her potential and asked Vega to leave her TV role to dedicate herself to his new project. His film would be provocative, steamy and sensual, so he needed just the right actress. In 2001, Lucia y el sexo (Sex and Lucia) hit theaters. It told the story, in graphic and lurid detail, of an innocent girl who slowly discovers her sexuality. Paz appeared nude, acting with her whole body in a gush of sensuality. Sex and Lucia became an international hit and won Paz a Goya, Spain's biggest movie award, for Best New Actress.
With the success of Sex and Lucia, Vega was courted by the biggest names in the film industry. Spain's most important director, Pedro Almodovar, gave her a part in his award-winning film Hable con ella (Talk to Her, 2002). Soon after, she was seen in the musical romantic comedy, El otro lado de la cama (The Other Side of the Bed, 2002).
After two more movies, including a rendition of Carmen in 2003, Paz started being coveted abroad. James L. Brooks, of The Simpsons and As Good as It Gets, signed her for his new directing project, a comedy called Spanglish, with Adam Sandler and Tea Leoni. This movie will no doubt raise her profile in the U.S. and she will hopefully be seen in more American movies. After Spanglish, Paz can be seen in 2005's Un angel en la oscuridad in the pipeline.
Photo Gallery :-




Paz Vega Hot Wallpapers


Paz Vega Hot Wallpapers

Paz Vega Hot Wallpapers

Paz Vega Hot Wallpapers

Hot Photo Gallery of Beautiful Tattooed Girls !

Displaying classic qualities of beauty and grace, a butterfly tattoo is one of the hot favorites of female tattoo enthusiasts. Though most of the tattoo patterns are unisex in nature, there are some tattoo designs that are definitely more feminine and hence ideal for beautiful ladies like flower tattoos, fairy tattoos and of course butterfly tattoos. When one talks of butterfly tattoo, there are several questions that often come to mind like what these tattoos signify, why are they popular amongst women, where to find interesting patterns and many more. Let us find answers to some of these questions. Hot Beautiful Tattooed Girls Photo  
Although tattoos are all the rage these days, it still amazes me why beautiful women would want to attract more attention to their self by getting their body covered with ink. As these photos show, ink is no longer just for the circus freak.
 Although tattoos are all the rage these days, it still amazes me why beautiful women would want to attract more attention to their self by getting their body covered with ink. As these photos show, ink is no longer just for the circus freak.
Although tattoos are all the rage these days, it still amazes me why beautiful women would want to attract more attention to their self by getting their body covered with ink. As these photos show, ink is no longer just for the circus freak.
Although tattoos are all the rage these days, it still amazes me why beautiful women would want to attract more attention to their self by getting their body covered with ink. As these photos show, ink is no longer just for the circus freak.
Photo Gallery of  Beautiful Tattooed Girls
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Panward Hemmanee

Model : Panward Hemmanee
Nickname : Pei
Date of Birth : 22 December 1979
Race : Thai
Height : 166 cm.
Occupations : Actress


Panward Hemmanee, nicknamed “Pei” back in her homeland of Thailand. Pei is an upcoming TV drama actress that has been featured on numerous magazine covers including the likes of VOLUME and MARS magazine. This 5′5″ Thai beauty landed on our Ultimate Asian Hotties List and I’m sure there’s no question why.
Panward who? Panward Hemmanee. You know, the pretty Thai model and actress who co stars with Nicolas Cage in Bangkok Dangerous. Ah, the Panward Hemmanee! Yes!

It's two different world's for Thai actress Panward Hemmanee. In one - Thailand - she's well known, but in the other - the US - where people don't recognize her and find it hard to remember her name, she's not. But it's likely not going to be for long now that she's starring in Bangkok Dangerous with superstar Nicolas Cage.

Also, once you see Panward Hemmanee's sexy photos, you'll likely ask for more of her. After this movie, it's also likely she'll be cast in more Hollywood films.

Bangkok Dangerous also stars Hong Kong actress Charlie Leung (below). Charlie strangely resembles Panward and the two are often confused as is the case in some sites that show their pictures (this blog included). But all's right now.

 Panward Hemmanee Hot Photo Gallery